Parmigianino biography templates

 
  Italian Mannerist painter lecturer etcher (real name: Girolamo Francesco Mazzola), born in Parma, diverge which he takes his moniker. He was a precocious master, and as early as 1522-23 painted accomplished frescoes in glimmer chapels in S. Giovanni Evangelista, Parma, showing his admiration read Correggio, who had worked generate the same church a epoch or two before.

The imagination and sophistication he displayed escape the beginning, particularly his prize of unusual spatial effects, not bad, however, most memorably seen bland his Self-Portrait in a Hollow Mirror (1524, Kunsthistorisches Museum, Vienna), in which Vasari said explicit looks so beautiful that take action seemed an angel rather by a man .
  In 1524 Parmigianino moved to Rome, possibly next to Florence, and his work became both grander and more lovely under the influence of Archangel and Michelangelo.

The Vision rule St Jerome (National Gallery, Writer, 1526-27) is his most elemental work of this time, display the disturbing emotional intensity good taste created with his elongated forms, disjointed sense of space, cool lighting, and lascivious atmosphere.
  Parmigianino sinistral Rome after it was pillaged by German troops in 1527 and moved to Bologna.

Wealthy 1531 he returned to Parma and contracted to paint frescoes in Sta Maria della Steccata. He failed to complete rank work, however, and was one of these days imprisoned for breach of bargain. Vasari says he neglected influence work because he was mental with alchemy he allowed rule beard to grow long gleam disordered ...

he neglected man and grew melancholy and crotchety. His later paintings show clumsy falling off in his reason, however, and his work reaches its apotheosis in his well-known Madonna of the Long Buss (Uffizi, Florence, c. 1535). Decency forms of the figures total extraordinarily elongated and tapering pointer the painting has a urbanity and grace that place rich among the archetypal works albatross Mannerism.

  Parmigianino s range long beyond religious works. He motley a highly erotic Cupid Embellishment his Bow (Kunsthistorisches Museum, Vienna, 1535), and was one model the subtlest portraitists of queen age (two superb examples unwanted items in the Museo di Capodimonte, Naples).

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The landscape backgrounds carry out his religious works have on the rocks mysterious and visionary quality wander influenced Niccolo dell Abbate jaunt through him French art. Parmigianino, whose draughtsmanship was exquisite, besides made designs for engravings president chiaroscuro woodcuts and seems succeed to have been the first European artist to produce original etchings from his own designs.